The $1,000 vinyl

Wired’s story about hot press vinyl is an interesting read. As always, sound quality is a complicated – and personal – topic.

“There’s actually little reason why any two discs should sound the same,” says Masterdisk’s Scott Hull. “A grading system based on the different significant factors makes sense: surface noise, relative distortion during playback, and things like skips and major pops.” Before this becomes a hot stamper endorsement, Hull lowers the boom: “Saying one disc is wrong and another is right is very controversial. Only the producer, the mastering, and cutting engineers really know what that record was supposed to sound like.”